Please have a look at our FAQs for the Discount Campaign and the Pre-Order Campaign. You can learn more about our accepted payment methods. Final prices may vary depending on your country of residence. If you’re logged in to your Ableton account, the webshop will show your discounted prices and upgrade options.If your free Live 12 upgrade isn’t showing in your account, or you have any further questions about the discount offer, please get in touch.If you purchased a Live 11 license after Octoyou should have received an email notification that a free upgrade to Live 12 has been added to your Ableton account.For purchases of Push 3 (standalone), the offer is valid only until November 30, 2023. This offer is valid from Novemuntil the release of Live 12 in early 2024.Within the offer period, purchases of Live 11 Intro, Standard and Suite, with or without Push, also include a free upgrade to the equivalent Live 12 edition – to be issued upon release.Between November 14 and November 30, 2023, a 20% discount is also available on Push 3 (standalone).The 20% discount offer is valid for all Live 11 licenses and upgrades (including upgrades from educational licenses*), Live 12 pre-orders, Packs and cross-grades to Max 8 purchased during the campaign.Offer Terms & Conditions: Save 20% on Live 11 now, upgrade to Live 12 for free Overview If you’re teaching at a tertiary level please visit Ableton for Colleges and Universities If you’re teaching music to students aged between 6-19 in a school, charity or youth club please visit Ableton for the Classroom Using these tools, you can teach the fundamentals of music creation: rhythm, melody and harmony, song composition, sound design, creating with samples and more. Live and Push offer everything students need to make any kind of music that inspires them. Please note that if there is ever any disagreement on educational status documents, we offer a full four-week money back guarantee. Part-time and private teachers must work at least 20 hours per week to qualify a teacher who is currently employed full- or part-time at a school or university in any field.a student in a part-time program that consists of 20 hours or more study time per week, or one that runs for 12 months or more.Parents of a student not of legal adult age can buy educational licenses on behalf of their child using their child's valid student ID. a student currently enrolled in full-time educational studies, up to advanced degree programs and 18 years old or of legal age in your country of residence.You are eligible for an educational discount if you are: I see that if I buy Live Suite 11 now, I’ll get the 12 update without paying again.Am I eligible for the educational discount? Long story short: I’ve been a bit Ableton-curious lately, even before the version 12 announcement. As a fan of Pd, Max for Live is very attractive to me too. I checked out Lite (I only have version 10) and the things that bug me about Bitwig aren’t present in Live. I mostly use Renoise, and I have Bitwig for multitrack recording, but I don’t really gel with it, so I stopped buying updates. I’ve had a couple versions of Lite, the kind you get when you buy a MIDI controller, audio interface, or whatever, but I’ve never been a real Ableton user. Many thanks for the recommendation one of those weirdos who never got into Ableton Live. I could even process those sources before using them as sidechain sources. So, I can create ‘Receiver’ tracks at the top level then use them as sidechain sources. Update: I can use the ‘Sender’ device on any track, ‘Drum Kit’ instrument tracks included, and send the audio to ‘Receiver’. Audio Routes devices now work inside Live Racks".I’m just trying to find a way to dynamically EQ elements within a ‘Drum Rack’ from within itself. You would need a seperate send pair for each element you want as an exclusive souce though. The ‘sending to a send’ is the only way I can see to expose individual ‘Drum Rack’ tracks. It is likely constrained in the same way that any other plugin is with regards to sidechain sources. I would think that ‘Audio Routes’ can only see what is exposed. The ‘Audio Routes’ device would need to be able to sit at the top level yet reach “into” the ‘Drum Rack’ to see the individual tacks. The ‘Drum Rack’ channel is the only track that is exposed. I think the issue is that, within a ‘Drum Rack’, the individual instrument tracks aren’t exposed because they are nested within a device. It depends on what can be ‘Input Tracks’ sources.
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